25 Royalty-Free Audio Tracks for "Multi Layer"

26 layers of sounds for a full and complex crashing sound.

Multi layer punch.

Dry multi layered claps at 110bpm.

Multi-layered clap recorded with digital reference dri100.

Multi layered recording of clapping and clicking. With a touch of reverb on the clicks.

A slowly evolving multi-layered sound with a subtly arpeggiated whistle ideal for an intro.

A multi-layered warm sort of ambient loop i created.

A treated, multi layered, short loop.

Multi-layered rhythm loop at 90 bpm.

Synth bass loop rooted in c tempo 100.

Multi-layered synth line i made one morning when i was bored and was practicing writing arpeggios. I believe it's in mixolydian mode.

Multi-layered ambience recording done with yamaha keyboard.

Created using fm synthesis, layering, and eq.

Multi-layered ambience recording done with yamaha keyboard.

Sound of birds in flight made with feathered cat toy, multi-tracked and layered with outdoor ambiance.

Created using fm synthesis, layering, and eq.

One snare out of a bunch of custom snares made by me, combined samples, multi-band compressed and hit to tape. Custom to the point that i layered and re-sampled, layered and resampled. So much mangling and layering and resampling that its impossible to tell you the source to these snares.

Loopable lead sound from my technosaurus microcon, obtained by multi tracking 3 slightly detuned and lightly off phase saw waves. 12 pole filter, fully opened, no resonance. Played in gate-trigger mode (no adsr whatsoever). Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.

The inspiration for this track came from a stereo cross-fading delay patch for modular synths i found, created using caustic 3. 2 with my akai mpk mini keyboard as usb-midi controller with a bit of a tangerine dream style.

This is not layered or multi-tracked; actual 2:00 track of singing. Wide variety of birds. Stereo (large diaphragm condenser (scm900) l and dynamic (sm58) r. Cleaned, eq'd and leveled to approximately -24 lufs. Still quite a range of dynamics!.

Took a drum loop and pitched out 3 different layers of itself, one at half speed an octave down, one at quarter speed 2 octaves down, and one on top that starts out chopped up into separated transients and returns to full speed at the end. I originally made this to be 3 different levels of progression for a backing drum-loop, with the first section being the buildup, the second as the transition/windup, and the third as the breakdown.

This is not layered or multi-tracked; very active birds this morning! actual 2:00 track of singing. Wide variety of birds. Stereo (large diaphragm condenser (scm900) l and dynamic (sm58) r. Cleaned, eq'd and leveled to approximately -24 lufs. Still quite a range of dynamics!.

Single-pitch heavy distortion with multi-layer. Mild modulation. Made for a emotionally intense moment in a horror film. Toward the middle you will hear a very quiet rhythmic element. Used a roland groovebox self-sample utility directly to wav, which results in good recordings, though reduced high frequencies.

Needs to be faded in, but otherwise it should properly loop. Created using cubase and retrologue 2. A simple patch exploring the vsti's multi oscillators. Two oscillators plus a bit of semi-random filter modulation.

This helicopter sound design was created at fl studio, in the sytrus synthesizer. The sound consists of four layers. 1. Sine wave frequency of 44 hz. Simulates the low frequency noise of propeller blades. 2. White noise passed through the svf filter. Simulates the noise of propeller blades. 3. Saw wave. Simulates the sound of an engine. 4. The sine wave. Imitates a high-frequency whistle of the engine. Various modulations are applied to all waves through the envelopes of the synthesizer. Next, the signal on the mixer channel is processed by a multi-band exciter and equalizer. Then a signal was sent to two channels with delay processing. One of them imitates reflections. In the lower-middle frequency range. On the second in the upper-middle frequency range. As you approach the sound source, the volume parameters of the direct and reflected signals are automated, low pass filter, pan width and equalization of direct sound. The helicopter performs strange maneuvers, as if making constant circles during the approach to the listener. I did not seek to create the veracity of these maneuvers.